Do you have a tunelist?

Keep a simple tunelist and bring it with you whenever there's a chance that you'll be around music. Even if you don't have your instrument with you. Keep track of tunes that you like. You might want to add to it. Things like book names and page numbers. It makes it easier to remember tunes that you’d like to improve at. I also use mine to collect new friends' email addresses and phone numbers. Sometimes, I'll add what to get at the grocery store on the way home. It has many uses.

Speaking of remembering tunes. I hear from a lot of newbies that it is difficult to remember tunes: the name, the A part, the B part, how it starts, any or all of these parts of the whole. I take comfort in the fact that 'remembering' a tune is really a snapshot over time. Getting used to that feeling helps you to be a little easier on yourself. Mostly everyone has a process over time that they go through on the way to playing the whole tune by ear.

Let's break it down -

First I hear a tune and it catches my attention.

The name, if I hear it, either sticks or it doesn't. (Here's where adding it to my tunelist helps.)

The melody might stick, but usually only bits of the tune stick. (Here's where recording is a must, for me.)

Recognizing the construction helps somewhat. 2 A's, 2 B's? Only one part? High or low parts?

Understanding what key it's in. (This took me the longest to learn for some reason.)

Towards the end of this process, I increasingly run the tune through my head, often humming along. At first, I'll have trouble starting it off, but eventually that gets better. I find it helpful to relate it to a tune that I already know. When I was learning 'Briarpicker Brown', I can remember thinking "It's like Rose Tree, but a little different." To this day that still helps me get started. I hear from some folks who claim they recall the B part better than the A part. What the heck, if I have to doodle through a B part 'til the A part comes around, then that's what I'll do.

Around this time, I start playing it with my jamming buddies. That is to say, I can remember the name, the key, how it starts, and mostly how it goes through the end. Sometimes, I fumble around, but maybe a buddy knows the tune and offers up some advice. (Or, we get to talking about versions and where they learned it from and what part of Kentucky it came from and how they used to play it and who recorded it when and on and on. But, that's another story for later on.)

Contrary to what you might think, I'll start calling the tune at a friendly jam before I know the tune completely. There's often something synchronous about playing with others that helps a tune gel for me. Sure there are times when the tune just stalls, but more often that not, we have a good play at it. To the unknowing observer, it might sound great as though we've played it a hundred times before.

Maybe 2 weeks later, I can remember and put all the components together. I'm fond of saying that the last phase in this process is when I can fiddle the tune and raise my foot to stop it, or call out 'One more time'.

And, if I've put it on my tune list, it will be easier to call it again sometime down the road.

Playing by ear - a simple recipe

Music is a language.

We learn to talk by talking, but we listen for a year leading up to our first few words.

We learn to walk by walking, but we watch other walkers intently, then we crawl for a while and fall down a lot.

Apply that to fiddling. Find a jam near you, if you haven't yet.

My fiddling skills went way up when I found a weekly jam. Don't wait until you're 'good enough'. Just go.

Folkjam.org

Blue Ridge Music Trails

Franklin County, MA

Fiddlers' Tour Albany, NY

Hobart Old Time Stringband Hobart, Tasmania

Welcome jammers and curious folk

Thanks for stopping by. I intend to make this blog a resource for fiddlers, particularly adult beginner fiddlers. More generically, for musicians interested in Appalachian style jamming. Appalachian style jamming is a style that encourages some of the musicians to change the tuning on their instruments, most often the banjo players and fiddlers. Banjos and fiddles most often will change out of standard tuning. They will tune in ways that sound best in a particular key. So, at Appalachian style jams, the musicians will stay in the key of D, for example, for as long as they care to. Why bother? Lots of reasons!!! I hope to expand on that question in the posts to follow.

Feel free to comment on my posts or suggest things that you're interested in learning about. If you have information to share - say about festivals or what's going on in your neck of the woods - send me an email and I'll give it some space here. I'm especially interested in how people learn to play the fiddle or play any instrument "by ear". Tell me what is like for you to learn about playing music with other people.

If you think you'd like me to organize an old time, appalachian style jam for your event, there's more info here.